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Inside the Rozalli Editorial at Sinders Bridal House

I walked into Sinders Bridal House that morning with a mental shot list, a box of Polaroids, and a certain reverence for the ivory Eva Lendel gown we had lined up. The dress, Rozalli, is high-fashion, sculptural, and designed to leave an impression. That floral embellishment across the chest? Built for the aisle and destined for the archives.


A glimpse behind the scenes at Sinders Bridal House.
A glimpse behind the scenes at Sinders Bridal House.

The space at Sinders is a little unexpected for a shoot like this. We used one of the private showrooms where brides usually have that first full look at themselves in their dream gown. But on this day, it became something else entirely. Elevated and artful. We leaned into that with blurred frames, double exposures, and grainy Polaroids that felt more like journal entries than final selects.


Calla lilies and purple hues accented with a birdcage veil.
Calla lilies and purple hues accented with a birdcage veil.

Paulina, our model, brought an understated elegance in the best way, and was completely in sync with the tone we had in mind. Molly, our makeup artist, gave Paulina a warm brown glam that looked like skin, not makeup—glowy, and soft-focused. The florals, designed by Riverwood Gardens, were minimal and intentional, with calla lilies, airy textures, and just enough structure to feel architectural. Paired with the Polaroids, they gave the whole gallery a vintage aura, reminiscent of a 1992 Vogue Italia spread styled by Carlyne Cerf de Dudzeele.


Two black and white moments blended to one wide frame.
Two black and white moments blended to one wide frame.

The standout of the morning was this brush of calmness. The way everyone fell into rhythm without needing to say much. This was about chasing a feeling of pure joy us creatives find on set. It’s not about forcing moments, it’s about letting them happen naturally. Where the image becomes authentic. Finding the fluidity between structure and softness where nothing felt rushed or overdone. 

The Eva Lendel Rozalli wedding gown with an ivory mikado bodice and decorated with oversized roses.
The Eva Lendel Rozalli wedding gown with an ivory mikado bodice and decorated with oversized roses.

There’s a difference between styled shoots that look good and ones that feel good. This one? It felt like a team of artists showing up with intention. And leaving with something better than we imagined. It’s the kind of energy I always aim to bring on a wedding day, quietly focused, intuitively led, and rooted in something more meaningful than pretty pictures.


Find our team on instagram at:


Makeup: @mollymkup

Content Creation: @moments.unveiled

Photo Assistant: @rosielle.co


A bespoke double exposure accented with shimmering ginkgo leaf earrings.
A bespoke double exposure accented with shimmering ginkgo leaf earrings.

Written by: Shawnae Mutch


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